{"id":1536,"date":"2026-04-07T16:21:27","date_gmt":"2026-04-07T14:21:27","guid":{"rendered":"https:\/\/provenanceresearchfund.org\/lhistoire-cherche-son-lieu\/"},"modified":"2026-04-15T17:20:14","modified_gmt":"2026-04-15T15:20:14","slug":"lhistoire-cherche-son-lieu","status":"publish","type":"post","link":"https:\/\/provenanceresearchfund.org\/en\/lhistoire-cherche-son-lieu\/","title":{"rendered":"Geschichte sucht ihren Ort. Ausstellung"},"content":{"rendered":"\n

Vernissage and round table with Ya\u00eblle Biro, Jan H\u00fcsgen, Mary-Ann Middelkoop and Ana\u00eblle Vanel<\/strong><\/p>\n\n\n\n

29 April 2026
Centre Marc Bloch, Germaine Tillion-Saal & online
In English and French with simultaneous translation.
Please register online.
Registration<\/strong><\/a><\/strong><\/a>
<\/p>\n\n\n\n

The starting point is a non-place of memory: the spot where the manuscript of Marc Bloch\u2019s L\u2019\u00c9trange d\u00e9faite was buried. It is a non-place that, by its very nature, eludes visibility and any definitive meaning, creating a tension between what is perceived and the construction of its meaning. Using a series of photographs whose subjects hover on the edge of the visible, eluding dominant narratives or unambiguous interpretations, the aim is to measure distances: the distance between history and its sites; between what has reached us and what once was; between the possible and the probable. It is within this distance that the image emerges.<\/em><\/em><\/p>\n\n\n\n

Ana\u00eblle Vanel is an artist. After graduating from the \u00c9cole nationale sup\u00e9rieure des beaux-arts (ENSBA) in Lyon in 2014, she was a visiting student in Christopher Williams\u2019 class at Kunstakademie D\u00fcsseldorf in 2018. She has exhibited in France and abroad (IAC, Villeurbanne\/Rh\u00f4ne-Alpes; Galerie Mich\u00e8le Didier, Paris; Villa M\u00e9dicis, Rome; Centre de la Photographie, Geneva; Kunsthalle der Sparkasse, Leipzig; Natural History Museum, Florence) and her works are held in several public (CNAP; IAC, Villeurbanne\/Rh\u00f4ne-Alpes; FRAC \u00cele-de-France) and private collections<\/p>\n\n\n\n

Program<\/h2>\n\n\n\n

16:30-17:30\u00a0<\/strong>: Guided visit with the artist (16:30 in French, 17:00 in English)<\/p>\n\n\n\n

18:00-18:15 <\/strong>:\u00a0Welcoming remarks<\/p>\n\n\n\n

18:15-19:30 <\/strong>: Traces, m\u00e9moires et indices, de Marc Bloch \u00e0 la recherche de provenance \/ Traces, Memories, and Clues. From Marc Bloch to Provenance Research.<\/strong><\/strong><\/p>\n\n\n\n

Panel discussion with Ya\u00eblle Biro (Institut National d\u2019Histoire de l\u2019Art), Jan H\u00fcsgen (German Lost Art Foundation, DZK), Mary-Ann Middelkoop (University of Cambridge) and Ana\u00eblle Vanel.
Moderators: Julie Sissia (Provenance Research Fund), Fabien Th\u00e9ofilakis (Centre Marc Bloch).<\/p>\n\n\n\n

19:30 Uhr<\/strong>: Opening of the exhibition \u201eGeschichte sucht ihren Ort \/ L’histoire cherche son lieu\u201c, guided tour with the artist and a get together at the Centre Marc Bloch<\/p>\n\n\n\n

<\/p>\n\n\n\n

Partners<\/h2>\n\n\n\n

\u00c9cole Normale Sup\u00e9rieure de Lyon
Haut conseil culturel franco-allemand\/ Deutsch-franz\u00f6sischer Kulturrat
Direction de la m\u00e9moire, de la culture et des archives (DMCA), minist\u00e8re des Arm\u00e9es
Sciences du Patrimoine : H\u00e9ritage, Innovation, enjeuX (SPHINX), Sorbonne Universit\u00e9
Institut fran\u00e7ais d\u2019Allemagne (IFA)
Fonds r\u00e9gional d\u2019art contemporain d\u2019\u00cele-de-France (Frac \u00cele-de-France)<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Vernissage and round table with Ya\u00eblle Biro, Jan H\u00fcsgen, Mary-Ann Middelkoop and Ana\u00eblle Vanel 29 April 2026Centre Marc Bloch, Germaine Tillion-Saal & onlineIn English and French with simultaneous translation.Please register online.Registration The starting point is a non-place of memory: the spot where the manuscript of Marc Bloch\u2019s L\u2019\u00c9trange d\u00e9faite was buried. It is a non-place […]<\/p>\n","protected":false},"author":2,"featured_media":1538,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[41,1],"tags":[],"class_list":["post-1536","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-event","category-nicht-kategorisiert"],"acf":[],"_links":{"self":[{"href":"https:\/\/provenanceresearchfund.org\/en\/wp-json\/wp\/v2\/posts\/1536","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/provenanceresearchfund.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/provenanceresearchfund.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/provenanceresearchfund.org\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/provenanceresearchfund.org\/en\/wp-json\/wp\/v2\/comments?post=1536"}],"version-history":[{"count":13,"href":"https:\/\/provenanceresearchfund.org\/en\/wp-json\/wp\/v2\/posts\/1536\/revisions"}],"predecessor-version":[{"id":1647,"href":"https:\/\/provenanceresearchfund.org\/en\/wp-json\/wp\/v2\/posts\/1536\/revisions\/1647"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/provenanceresearchfund.org\/en\/wp-json\/wp\/v2\/media\/1538"}],"wp:attachment":[{"href":"https:\/\/provenanceresearchfund.org\/en\/wp-json\/wp\/v2\/media?parent=1536"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/provenanceresearchfund.org\/en\/wp-json\/wp\/v2\/categories?post=1536"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/provenanceresearchfund.org\/en\/wp-json\/wp\/v2\/tags?post=1536"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}